Garage door closing, electric motor, single garage. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).
Warning beeps, doors close and train leaves partick subway station. Sound of train leaving echoes along the tracks and another train arrives on the far-side track. Recording: olympus ls3 + built-in mics.
A close-up recording using the m/s technique. It is the recording of a simple small-sized fan. I really liked the low-frequency sounds it generated when i got the mic close. All my sounds are public domain and can be used by anyone in any way they want. You can support me here: https://www. Buymeacoffee. Com/chrd.
The sound of an orange being peeled. [no attribution is required but if needed/wanted attribute to: https://www. Youtube. Com/channel/ucjl4yh2eaczyggecvnbfvha/].
Opening and closing a padlock. Recorded with behringer xm1800s mic through a behringer xenyx12202 mixer, m-audio410 interface, ableton live 8, some eq i think. . .
A distorted bass sound. Made from playing with an elastic band really close to an xy mic, recorded fairly hot then distorted. Suprisingly sounds like a note from a bass guitar.
This is a xix of 2 matches being ignited, plus reverberation. There is also a tail with the small sound of burning from one of the matches. Originally recorded at 41kz16bit, condenser mic, very close position.
Rain light/moderate falls on the balkony made out of stone. High quality recording with rode nt1a (two times, stereo-mixdown). The rain sounds very close to the mic, very clear and with all the high frequencies catched. Hope someone can use it for whatever. . . I used it as an intro in a song :-).
A close perspective of a small backyard fire, crickets in the background. Recorded in september 2013, on a zoom h4n's internal mics, in 48khz, 24bit, in port st lucie, fl, usa.
One note from an antique wind-up toy. Recorded with a relatively low-quality mic at a close distance; you can hear the machine of the music box churning and some faint ambient humming.
This is a close-recording of a beehive with thousands of bees. Tools: tascam dr100 mkiii with intern mics. Some postproduction in cubase 11 with izotope rx, waves rs56 eq and soundtoys decapitator.
Recorded with my phone in a fairly busy cafe in korea. After lunch hour, beaty jazz bgm, women talking, children talking and laughing. Occasional cup filled with ice stirring closely to the mic.
Striking matches / lighting matches close to mic'. 16 bit, 44,1 khz, mono source & output. No envelope automation, no compression, nothing except a slight hp at 26 hz. Clipping did occur on some transients for a few milliseconds (0-4 ms) on the strike due to mic' proximity (3 inches). Mic' used: samson c01 usb.
Several foleys of a metal music stand being manipulated: dragging it on a wooden floor, making it creak, opening and closing its legs. Mic: schoeps c-mit 5.
A busy supermarket car park with lots of traffic coming and going. Cars driving round looking for places to park. Doors opening and closing, people talking. Olympus ls-5, internal mics, 15hz low cut.
Very high velocity stroke with 5a wooden mallet in paiste pst3 20" crash on stand. Recorded with pair of akg p120 mics on stands and tascam dr-60 mkii recorder. Middle-side recording technique. Middle mic next to crash, side mic in a distance of 1m. Recorded in tiny kitchen with doors closed. Few ringing partials were tamed with parametric equalizer. Sound faded out in flstudio edison. Recorded in 96khz and 24bit.
Opening a fizzy drink can (330ml). Initial hiss / open. The opening is boomy because the mic was very close, but i didn't eq it out because it sounds quite interesting.
Sony dvp-s530d cd/dvd player. A couple of takes of the disc tray being gently pushed closed. The first take includes the sound of the player spinning up a disc. The left channel is a sennheiser mkh-416 and the right channel is an akg c414 b-uls, both into a john hardy m-1 preamp into pro tools. Each mic has a slightly different recording position and overall sound.
